Alhambra (Ah l’am bra)
A whispered word – an extended exhale – the embodiment of reverence. The sound is part secret, part power, part history and part awe. Because that’s precisely what it describes.
An ancient fortress containing a collection of stunning palaces and historical gardens and orchards, Alhambra rises above the medieval city of Granada, Spain like a massive citadel sitting atop two adjacent hills in the base of the Sierra Nevada mountains and surrounded by red-colored walls and towers for which the site is so aptly named. A remnant from the Nasrid dynasty, the last Islamic kingdom in Western Europe, it is also the only surviving (barely – no thanks to Napoleon!) palatine city from the Golden Age of Islam.
Historians are unclear of the exact data of the establishment of Alhambra. Records and archaeological finds indicate that sometime around the 9th century, reference was made to the red castle, “Kalat al hamra” on Sabika hill in Granada. Over time, a multitude of castles, palaces, great towers and walls (Alcazaba) were constructed on Sabika and Mauror hills. Eventually, over nearly a thousand years, the Albaicin, Alhambra and Generalife came into existence. It wasn’t always an Islamic residence. In 1492, the same year they sent Columbus en route to the Americas, Queen Isabel I and King Ferdinand II successfully attacked and overtook the sultan, Muhammed the 12th, and acquired this phenomenal site in the name of christianity and Spain. Over the centuries, Spanish royals would continue to stamp christian influence and design onto nearly every space available. Finally, Napoleon nearly destroyed all of the towers of the Alcazaba and is remembered as childishly shouting “If I can’t have it, nobody can have it!” before his men began detonation. The locals tell the heroic story a Spanish soldier, José Garcia, who literally ran toward the explosions and, with his hands, disabled the remaining fuses before any more of the towers could be destroyed. Reconstruction started in the 20th century and is ongoing today.
For my 50th birthday this year, I wanted only one thing: to see Alhambra. I dreamed of it. To walk through the palaces, imagining the emirs and sultans of the past, strolling these same halls, their robes flowing and flapping as they moved among the elegant, ornate passages. To see the sunlight dancing on the famous gardens of the Generalife – the splendor and diversity of color on display, the ingenuity of irrigation engineering and ancient hydraulic infrastructures, the pools of gentle water offering soothing tranquility or peaceful reflection. To climb the White Tower and gaze over the city stretching out as far and wide as the eye can see and dotted with monuments, steeples and an endless sea of structures divided only by winding streets and the river Darro. How lucky was I to be able to make this trip, in my birthday month, and with my only daughter. It was idyllic and a memory I will cherish for the rest of my life.
We stayed in the gothic quarter, naturally, on a tiny street inaccessible by our taxi or any other four-wheeled vehicle. The balcony of our hotel room hung over an outdoor restaurant from which the most amazing scents emanated – keeping us in a perpetual state of hunger. Because of the pandemic, we saw not a single hotel employee and checked ourselves in using a computer in the lobby, which also issued us an electronic keycard to our room. It was the ideal combination of modern age technology, gothic architecture and Moorish decor – we loved it.
Allita and I explored as much of medieval Granada as physically possible on foot in two days and were both exhausted and exhilarated the entire time. We discovered a wealth of lovely and fascinating places in the city during our brief stay. We visited the burial site of Queen Isabella I and King Ferdinand II in the Royal Chapel of the massive Catedral de Granada (Cathedral of Granada). We explored the Albaicín and walked from Plaza Isabel La Catolica (plaza with statue of Isabel and Colombus) along the Carrera del Darro (the street running along the Darro river) to the Puerta de los Tableros (part of the canal/aqueduct system to transport Darro river water up to Alhambra) and paused for a moment at Puente Cabrera (bridge). We savored some of the most absolutely amazing Mediterranean food and enjoyed a bit of off-time shopping in La Alcaicería, the original main bazaar of Granada, – trying on ridiculous hats and dresses and pretending to be silly tourists as we strolled through the narrow medieval passages adorned from top to bottom with every imaginable ware. The experience reminded us of our time spent in the outdoor market in Greece in January 2020 (A Greek New Year).
We spent an entire day exploring Alhambra, the three royal palaces: Mexuar, Serallo, and the Harem, Puerta de la Justicia (main gate), the Torre de la Cautiva (beautiful tower with decorated rooms), the Generalife, the Puerta del Vino (Wine Gate/Door), along Calle Real (Royal Street), the Palacio Comares containing the great Tower of the Ambassadors and Salón de los Embajadores (Hall of the Ambassadors), Palacio de Los Leones (Palace of the Lions) containing the Patio de los Leones (Court of the Lions), Puerta de las Granadas (Gate of Pomegranates), the Alcazaba (the oldest part) and its Torre de la Vela, Palacio Árabe (Arab palace), Patio de los Arrayanes (Court of the Myrtles), Sala de los Abencerrajes (Hall of the Abencerrages) famous for the massacre that occurred in this perfectly square room, Patio del Mexuar (Court of the Council Chamber), the Patio de Daraxa (Court of the Vestibule), the Peinador de la Reina (Queen’s Robing Room), and the Palacio del Partal (Partal Palace). To name a few. The entire area we covered was about 35 acres of walking space. I’m sure we saw more things and likely even photographed them, but I can only remember so many details and then I’m out of RAM.
For my daughter, the artist, Alhambra presented a plethora of stunning art in a variety of forms. To decorate many of the palace rooms, poems and blessings written in Nasrid cursive script, a form of Arabic calligraphy, are carved into the wood, marble and tiles in the arches, columns, walls, floors, windowsills, and ceilings. The most common, the motto of the Nasrid dynasty, was “ولا غالب إلا الله” (“Only God is victorious” or “There is no victor but God”). Tile designs feature heavily in the ornate decorations. They are remarkable because they feature almost all of the 17 mathematically possible “wallpaper groups” or 2-dimensional tile patterns without overlaps or gaps. In fact, one of Allita’s favorite artists, M.C. Esher, came to Alhambra in 1922 to study these tile patterns and as a result, created his own “regular divisions of the plane”. Our tour also took us into a workshop for artisans who are currently attempting to reconstruct the palatial furnishings from the Nasrid dynasty era based on writings and drawings recovered by archeologists and historians. I’m not sure how to describe the process they are using. Long thin strips of wood, ivory, onyx, mother of pearl, etc. are fashioned together to create a pattern that is replicated with every cross-section. The work is very similar to in-laid wood workings I had seen as a child in Germany. Allita was fascinated by the precision and detail required to create the various patterns and shapes.
For me, Alhambra was the ideal birthday gift – the trip made possible by my mother, the experience made perfect by my daughter, and the memories we created to be shared and savored forever.
** With a few obvious exceptions, the photographs were taken by my (then) 12- year-old daughter. More of her photographs can be seen in the Photo Album – Granada. **